Peter Paul Rubens
Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.

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Peter Paul Rubens The Adoration of the Magi 1608 and 1628-1629 oil painting


The Adoration of the Magi 1608 and 1628-1629
mk61 Oil on canvas 346x438cm
Painting ID::  28713
Peter Paul Rubens
The Adoration of the Magi 1608 and 1628-1629
mk61 Oil on canvas 346x438cm
   
   
     

Peter Paul Rubens A Peasant Dance oil painting


A Peasant Dance
mk61 Oil on panel 73x106cm
Painting ID::  28714
Peter Paul Rubens
A Peasant Dance
mk61 Oil on panel 73x106cm
   
   
     

Peter Paul Rubens The Three Graces oil painting


The Three Graces
mk61 c.1636-1638 Oil on canvas 221x181cm
Painting ID::  28715
Peter Paul Rubens
The Three Graces
mk61 c.1636-1638 Oil on canvas 221x181cm
   
   
     

Peter Paul Rubens Return of the Peasants from the Fields oil painting


Return of the Peasants from the Fields
mk65 Oil on panel 47 5/8x76 3/8in
Painting ID::  28841
Peter Paul Rubens
Return of the Peasants from the Fields
mk65 Oil on panel 47 5/8x76 3/8in
   
   
     

Peter Paul Rubens Ulysses on the Island of the Phaeacians oil painting


Ulysses on the Island of the Phaeacians
mk65 Oil on panel 50 3/8x81 1/2in Pitti,Palatine Gallery
Painting ID::  28877
Peter Paul Rubens
Ulysses on the Island of the Phaeacians
mk65 Oil on panel 50 3/8x81 1/2in Pitti,Palatine Gallery
   
   
     

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     Peter Paul Rubens
     Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.

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